A female leopard, Maasai Mara 2022
We spotted this juvenile female, Akira along the banks of a river tributary in the Mara. We had only but seconds to capture this encounter before he disappeared into the dense overgrowth.
Akira
Presented on acid-free, 308 gsm Giclée Hahnemühle Photo Rag paper, bringing out the tones and contrast of the artwork against a delicately textured matte surface, reducing glare when framed.
Guaranteed archival life of 100+ years.
Available in three sizes: 25 print editions per size. Final print size is inclusive of white border for easy framing. 10 framed editions per size.
Carbon neutral, sustainable production, packaging and shipping to reduce environmental impact.
Accompanied with a signed and numbered certificate of authenticity.
We recommend you take care when handling your museum grade print. Buying a pre-framed print will ensure your artwork is protected and ready to hang.
Mounted prints in a solid wood black frame for a traditional yet contemporary look. The frame windows are made from edge-ground float glass apart from the A1 which is high quality 3mm clear acrylic to prevent damage during transit.
Print sizes remain the same. Final print sizes in frame will vary depending on the frames.
As my work is reliant upon and represents the natural world, it is important for me to collaborate with a company that operates with sustainability at the core of its values. I am proud to partner with London based professional fine- art photographic lab ThePrintSpace, who are 100% carbon neutral.
All papers and wood-based materials are sourced from Forestry Stewardship Council certified sustainable sources. Packaging materials have been carefully selected to reduce the impact on the environment whilst still ensuring your artwork gets to you in perfect condition. Plastics are kept to a minimum and all packaging materials are sustainably sourced, being a mixture of recycled, recyclable or biodegradable materials.
20% of the proceeds from print sales from this collection are donated to Ol Pejeta Conservancy and Reteti Elephant Sanctuary. Both organisations are role-models for conservation from the field level up. Having had first-hand interactions with both these organisations whilst out in Kenya is a natural fit.